What is the maximum volume a box can have made from one piece of wood?

With Rush, Peart has played Slingerland, Tama, Ludwig, and DW drums, in that order. Historically he has played Zildjian "A" cymbals exclusively (save for various effect cymbals, like Wuhan China cymbals), switching only very recently to Paragon, a line created for him by Sabian. In concert, Peart uses an elaborate 360-degree drum kit, with a large acoustic set in front and electronic drums to the rear. During the late 1970s, Peart accessorized and augmented his acoustic setup with diverse percussion instruments including orchestra bells, tubular bells, wind chimes, crotales, timbales, tympani, gong, temple blocks, bell tree, triangle, and melodic cowbells. Since the mid-1980s, Peart has replaced several of these pieces with MIDI trigger pads. This was done in order to trigger sounds sampled from various pieces of acoustic percussion that would otherwise consume far too much stage area, such as a marimba, harp, temple blocks, triangles, glockenspiel, orchestra bells, tubular bells, and vibraslap. Some purely electronic, description-defying sounds are also used.