Tell me about facelifts?

From an early age, she displayed signs of having a melodious voice, which became more apparent by the time she was four or five years old. She could pick up just about anything - be it a folk song or a popular number from a theatrical drama - she could imitate it to perfection. Realizing her immense talent, her mother began to believe that her daughter had something exceptional to give to the world. So, her mother arranged for her to begin her training in singing and dancing alongside her elder sisters, Eidan Bai and Haider Baandi. She received early music lessons under Kajjanbai (a singer between 1920 and 1930) who made her do "riyaz" up to 12 hours a day. After her morning "riyaz", a teacher would come to help her learn to read and write. She received early training in classical singing under Ustad Ghulam Mohammed who instructed her in classical music and voice production within the framework of classical forms of thumri, dhrupad, and khayal. In around 1930, she won a part in a silent feature film called Hind ke Tare (1930) made by Indian Pictures, Calcutta. Thereafter, the family moved to Calcutta (now Kolkata) where she made 11 silent films in 1931, launching herself as a top child star during the 1930s in both silent and soon sound films and where her elder sisters, Eidan Bai and Haider Baandi began their stage careers. Her first talkie feature film was Sassi Punnu, released in 1932. She joined Kohinoor United Artists and appeared in some of their films. Later, she was employed by Seven United Artists and played the lead in some of their films opposite Khalil. She took up singing at six years of age and started making stage appearances with her elder sisters for rural theatre companies called the Taka Theatre. Later, she joined Sharda Film Co. and has played important roles in several of their films. She did not sing original songs but the famous hits of the day. She went to Lahore with her sisters and took part in zinda nach gana (live song and dance) which usually preceded the actual film show. She was only nine years old when the great Punjabi musician, G. A. Chisti introduced her to the stage in Lahore. He composed some ghazals, naats and some folksongs for her and she got 7 1/2 annas for each song. She also received some classical music lessons under Ustad Bade Ghulam Ali Khan. During their stay in Calcutta, Mukhtar Begum, the sisters' ideal and a famous singing star in the 1930s, encouraged the three sisters and recommended them various producers. She also recommended them to her husband, Urdu drama writer, Agha Hashar Kashmiri (1879-1935)'s Maidan Theatre, where she got the stage name Baby Noor Jehan. In later life, Noor Jehan adopted Mukhtar Begum's style of performing and wearing of a sari. The sisters got permanent jobs with one of the Seth Sukh Karnani Companies, Indira Movietone. Their popularity grew as they became known as Punjab Mail.